The Skelf women have been keeping their heads down, running the family’s funeral directors and private-investigation businesses. But when a woman collapses at her husband’s funeral and is saved by Dorothy, she finds herself drawn into the murky world of ‘grief tech’ – a booming new industry that creates digital avatars of the dead.
Jenny’s latest case – a simple blackmail job for an old school friend – quickly spirals into chaos as the woman’s tangled love life pulls Jenny towards dangerous old habits.
Meanwhile, Hannah and her wife, Indy, are confronted by the unexpected arrival of Indy’s ex-boyfriend, claiming to be dying and eager for the Skelfs to arrange his funeral. But his arrival uncovers more ghosts from the past, and threatens to upend everything they’ve built.
Dorothy saves the life of a woman who collapses at a funeral that Dorothy has organised. The ceremony is for the woman's husband, and the family have already experienced heartbreak and grief. Looking into the man's death, Dorothy uncovers some deeply unpleasant things in a murkier corner of death industry. Jenny's blackmail case for an old school acquaintance takes her to some dark places but also brings about a realisation about herself and Indy's ex-boyfriend makes Hannah question everything she thought she knew about her wife and their relationship.
What I love is that each woman has a puzzle to solve, whilst keeping themselves safe, strong and together. They are each other's support network and need each other more than any of them would probably care to admit. The characterisation, as always, is brilliant. Dorothy warmth and care, Jenny's rougher edges and Hannah's lovely nerdiness. But what helps make them feel complete are the characters around them, particularly Indy, Archie, whom I adore and Brodie. Indy has a more central part to play in this novel when Yannis turns up for the team to plan his funeral, we learn much more about her back story and it's great to have that information. But it's hard to see Hannah when she doesn't know what or who to believe. Jenny realises much about herself in this book which is great to see, but I fear it won't all be smooth sailing ahead. And Dorothy... oh, my heart hurt for her.
The three storylines are very different, some more violent than others and a couple really infused with a lot of sadness. But they all feel real, and that's down to the skill of the author. The world building and scene setting is great and the characterisation of all involved is wonderful. As always with a Doug Johnstone novel, he touches on issues I knew nothing or very little about, and I love that. And he mentions lots of bands I've never heard of because he's cool and I'm not!
As you may have guessed, I am delighted to see these wonderful, strong, flawed women back. Ghost Notes is well written, full of brilliant characters and interesting storylines. But at the centre of it all is family and love. And I really liked the meaning behind the title but also how it could refer to other things across the book. Roll on book eight!
The Author
Doug Johnstone is the author of twenty novels, many of which have been bestsellers. The Space Between Us was chosen for BBC Two’s Between the Covers, while Black Hearts was shortlisted – and The Big Chill longlisted – for Theakston Crime Novel of the Year. Three of his books – A Dark Matter, Breakers and The Jump – have been shortlisted for the McIlvanney Prize. Doug has taught creative writing or been writer in residence at universities, schools, writing retreats, festivals, prisons and a funeral home. He’s also been an arts journalist for 25 years. He is a songwriter and musician with six albums and three EPs released, and he plays drums for the Fun Lovin’ Crime Writers, a band of crime writers. He’s also co-founder of the Scotland Writers Football Club and lives in Edinburgh with his family.


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